By Becki Zaritsky
ONE NIGHT ONLY – Saturday, February 28 @ 6pm
Flagstaff Shakespeare Festival (FlagShakes) is proud to present “Shakespeare’s Sirens,” a one-
woman cabaret-style show written by local playwright Hannah Johnson.
“Shakespeare’s Sirens” explores the experiences of female characters in Shakespeare’s works, using Elizabethan music as an additional element of storytelling. It explores similarities in female stories in Shakespeare (bluntly, they sing beautiful, haunting songs, then they die, but why?). The show is performed by Hannah Johnson and accompanied by her husband, the classical guitarist Jacob Johnson.
Your ticket includes one complimentary glass of wine or sparkling non-alcoholic beverage, and
these delicious goodies from the Turquoise Room:
- Red Corn Taquitos filled with Beef Machaca and served with a Spicy Avocado Sauce
- Santa Fe Chicken and Vegetables Egg Rolls. Served with a Tomatillo and Green Chili Dipping Sauce
- Tri-Color Chips with Spicy Avocado Sauce and Salsa Quemada
Seating is strictly limited to 60 people.
- General Admission – $60.00 ($10 of your ticket cost is a direct, tax-deductible donation to FlagShakes), 40 available
- VIP Ticket – $75.00 (The additional $15 donation to FlagShakes includes priority seating closer to the stage), 20 available
Performance Details:
Date & Time: February 28, 2026. Cocktail hour at 5pm followed by performance at 6pm.
Location: La Posada, 303 East 2nd Street, Route 66, Winslow, Arizona, 86047
By Becki Zaritsky
As theatre tickets compete with the rising costs of living, FlagShakes takes a bold step in offering Pay What You Wish ticketing option to all mainstage shows.
FlagShakes is adding a Pay What You Wish ticketing to all FlagShakes 2026 mainstage productions (with a few collaborative exceptions). Some shows—like “Much Ado About Dinosaurs” and “Every Brilliant Thing”—will be fully pay what you can.
Lowering barriers helps:
- low-income and working families
- young people discovering theatre for the first time
- artists and audiences who need spaces of connection and reflection
When patrons purchase FlagShakes tickets online, they will see the standard FlagShakes ticket prices, and they will also see a $0 Pay What You Wish option. Patrons will select the number of tickets needed, and—if they’re able—they can add an additional donation with the ticket purchase at checkout. Patrons are also welcome to bring a check or cash to the theatre.
2026 Season Flex Pass benefits are expanding. In 2026:
- Newly added, season flex passes may be used for special events with higher price points that are not pay what you wish (such as “Shakespeare’s Sirens at La Posada” and our winter fundraiser “Fezziwig’s Ball”).
- Season flex passes will also continue to be honored for select weekends or performances where Pay What You Wish does not apply.
It is highly recommended to secure the Pay What You Wish tickets in advance. Similar to other tickets, Pay What You Wish tickets are not guaranteed to be available at the door, and will only be available at the door if the event is not sold out. The generosity of patrons who are able to donate buys more than just a ticket. It holds the door open for someone else.
I found Flagstaff Shakespeare Festival’s Shakespeare Allowed reading [of The Taming of the Shrew] really challenging (but still a ton of fun!).
I know it is always a mistake to bring too much of your own perspective to older art forms, but then that is one of the glories of Shakespeare to me—through the lens of 500 years of history, I always find myself thinking differently about things when I read or experience his words. But I couldn’t help feeling walls I couldn’t get past in this one.
I spent the afternoon working in the garden, and this play just kept turning in my mind. I finally sat down and re-read Katherine’s final speech. Suddenly one line jumped out at me:
“I am ashamed that women are so simple.”
But she isn’t, is she? That so flies in the face of everything we’ve seen about her that the author could never expect anyone to believe she has changed that much. Shame for being simple? I honestly don’t think so. And we have seen her change—there were a couple of instances where we see her feelings for old “man-boy” [Petruchio] evolve. But her wit remains constant.
As I re-read that line, I couldn’t imagine it without seeing her winking to him.
One more thing that really struck me here. I’ve also found myself questioning the possibility that some of Shakespeare’s plays actually need to be seen, and not just heard. I felt like the last two, reading them and savoring them like a really good single malt, was adding to my understanding and emotional feeling. But this one, I realized, left me thinking, “Wait. There is something else going on here that I actually need to SEE, on a STAGE.” There is something going on here that isn’t captured in text alone; it needs visual cues. Is this not actually a woman who has been broken, but who has, rather, found a co-conspirator? If so, this doesn’t come out in the actual lines (to me at least) but does in the feeling behind the lines.
Or might I be trying too hard to convince myself Shakespeare didn’t really mean to show her “broken”?
I guess in the end, it doesn’t matter that much, given my relationship with Shakespeare. Regardless of his motivations, he got me thinking again.
–Todd Barnell
Patron Todd Barnell attended our recent Soiree where we previewed scenes from the 2018 Season: Flesh and Blood. Directors were able to talk about their upcoming productions and Dawn Tucker, Executive Director, shared her vision for a Titus Andronicus focused on the very personal stories of these families, the dark humor of the play, and a female Titus who can tell this story of a war veteran from the perspective of a mother (an increasingly more common tale). Todd shared this letter with us, and we wanted to share it with you!
“Thank you for inviting me to the Flagstaff Shakespeare event. I was so fascinated by the approach you will be taking with Titus. I’ve never seen it performed, but I did read it (quite a few years ago) and have also read various discussions about it. I actually read [Titus] first, then read some articles. That was an interesting experience for me because I found myself…well, rather shaken after just reading it. But then I read a few people … talking about how it was actually an extraordinarily dark, but still terribly humorous, play. Being someone who tends to be a little too literal at times, I must admit I missed the humor in my read-through! One of the many things I love about your vision (and others on your team) is how you are including music. I also really like your idea of casting a woman in the title role, and your reasoning behind that choice. I think that is going to create a really interesting feel.
As excited as I am to finally see Titus, I must admit I am almost sick with anticipation about The Tempest. It is funny, but I’ve found myself thinking about that play quite a bit recently. When I was asked to present at this year’s Robert Burns Night, I developed a talk called Burns Without Borders, where I explored the global legacy of Scotland’s Bard. My story was actually personal, as I was exposed to his poetry back in the 80s by a professor I revered. I was majoring in African Studies at the time, and my mentor, who was an Ibo from West Africa, took me under his wing. He set up special office hours with me where he introduced me to his language, and gave me a variety of poems and plays to read, as well as political and historical articles. Well, in addition to introducing me to Burns, he also introduced me to Shakespeare, giving me a copy of The Tempest. I guess that set the stage for my odd relationship with Shakespeare: I’ve read a lot more of his plays than I’ve ever actually seen. I’ve rarely found myself in a situation where I had the chance to actually see any of his plays performed, which is why I was over the moon when you started FlagShakes! (Actually it wasn’t until the late 90s that I finally got to see some Shakespeare on stage. Patrick Stewart came to Indianapolis and performed his one-man show “Heavy Lies the Crown.” I nearly died with joy.)
Anyway – I’m terribly excited about this season and I can’t wait to see what you and your amazingly talented team put together!”
–Todd Barnell
